AtikENGede on Grand Rue: Some Lines of Inquiry to FollowLeGrace BensonJournal of Haitian Studies, Volim 10 · Nimewo 2 (2004), p. 168-172VodouVille et questions urbainesPhotographie et arts visuels
AtikENUlrick Jean-Pierre's "Cayman Wood Ceremony"Marc A. ChristopheJournal of Haitian Studies, Volim 10 · Nimewo 2 (2004), p. 52-55IstwaVodouPhotographie et arts visuels
AtikENRising Sun: Gede's Drama of Death and Rebirth in Brooklyn, New YorkLois E. WilckenJournal of Haitian Studies, Volim 10 · Nimewo 2 (2004), p. 156-161VodouMigrations et diaspora
AtikENYon Moso Twal Nan Bwa (A Piece of Cloth on Wood): The Drapo Vodou in Myths of OriginAnna WexlerJournal of Haitian Studies, Volim 10 · Nimewo 2 (2004), p. 16-32VodouPhotographie et arts visuels
AtikENOne and One Makes Three: Wisdom in the Rhythmic Organization of Vodou DrummingLois E. WilckenJournal of Haitian Studies, Volim 10 · Nimewo 2 (2004), p. 68-73MusiqueVodou
AtikFRQuand les Dieux parlent aux hommes Hërsza Barjon les entendPaulette Poujol-OriolJournal of Haitian Studies, Volim 10 · Nimewo 2 (2004), p. 177-180VodouPhotographie et arts visuels
AtikENThe Gede: Vignettes of Life, Death, the Dead and RebirthPatrick Bellegarde-SmithJournal of Haitian Studies, Volim 10 · Nimewo 2 (2004), p. 162-167Vodou
AtikFRLa Table de Délivrance: Conversation avec Hërsza BarjonClaudine MichelJournal of Haitian Studies, Volim 10 · Nimewo 2 (2004), p. 174-176VodouPhotographie et arts visuels
AtikENImages of Gé Rouge in Étienne's "La Femme muette" and in Desquiron's "Les Chemins de Loco-Miroir"Jayne BoisvertJournal of Haitian Studies, Volim 11 · Nimewo 1 (2005), p. 46-56LiteratiVodouRapò ant sèks
AtikENExploiting the Undead: the Usefulness of the Zombie in Haitian LiteratureKaiama L. GloverJournal of Haitian Studies, Volim 11 · Nimewo 2 (2005), p. 105-121LiteratiVodou