AtikENReading the Signs in Pauline Melville's "Erzulie"Helen Pyne-TimothyJournal of Haitian Studies, Volim 7 · Nimewo 1 (2001), p. 136-147LiteratiVodouKarayib
AtikENHow Houngans Use the Light from Distant StarsLeGrace BensonJournal of Haitian Studies, Volim 7 · Nimewo 1 (2001), p. 106-135VodouIstwa
AtikENVodou in Haiti: Way of Life and Mode of SurvivalClaudine MichelJournal of Haitian Studies, Volim 8 · Nimewo 1 (2002), p. 98-109Vodou
AtikFRRéflexion: Vaudou et Société en HaïtiRené PiquionJournal of Haitian Studies, Volim 8 · Nimewo 2 (2002), p. 167-176Vodou
AtikENThe Haiti-New Orleans Vodou Connection: Zora Neale Hurston as Initiate ObserverRichard Brent TurnerJournal of Haitian Studies, Volim 8 · Nimewo 1 (2002), p. 112-133VodouAntwopoloji
AtikENErzulie, the Divine Paradox: as Rose in Chauvet's "Colère" and as Noémie in Ollivier's "Mère-Solitude"Jayne BoisvertJournal of Haitian Studies, Volim 8 · Nimewo 1 (2002), p. 27-38LiteratiVodouRapò ant sèks
AtikEN(Re)Membering African Religion and Spirituality in the African DiasporaHelen Pyne-TimothyJournal of Haitian Studies, Volim 8 · Nimewo 1 (2002), p. 134-149KarayibVodouLiterati
AtikEN"Qismat" of the Names of Allah in Haitian VodouLeGrace BensonJournal of Haitian Studies, Volim 8 · Nimewo 2 (2002), p. 160-164Vodou
AtikENMardi Gras Indians and Second Lines/Sequin Artists and Rara Bands: Street Festivals and Performances in New Orleans and HaitiRichard Brent TurnerJournal of Haitian Studies, Volim 9 · Nimewo 1 (2003), p. 124-156MusiqueVodouKarayib
AtikENVodun and Jazz: "Jelly Roll" Morton and Lester "Pres" Young - Substance and ShadowDouglas Henry DanielsJournal of Haitian Studies, Volim 9 · Nimewo 1 (2003), p. 110-123VodouMusique